The organising of tools, whether real or virtual, is an essential part of composition that is often overlooked. This article aims to generate a discussion about how a composer's working environment can permeate the compositional process and contribute to or inform their ideations. Central to this understanding, in terms of agency, has been to consider workflow as a subset of Actor–Network Theory. Here, a musical composition is viewed as a multiplicity of relationships between workflow and ideations, and suggests an expanded practice of musical creation that explores the various agencies that shape a composition. Nevertheless, this article is not intended as a comprehensive account, but only, as Bruno Latour would put it, ‘to add in a messy way to a messy account of a messy world’.

中文翻译：

---

组合工作流程中的代理：你的写作方式影响你写的东西

工具的组织，无论是真实的还是虚拟的，都是经常被忽视的组成部分。本文旨在讨论作曲家的工作环境如何渗透到作曲过程中，并有助于或告知他们的想法。就代理而言，这种理解的核心是将工作流视为行动者网络理论的一个子集。在这里，音乐作品被视为工作流程和构思之间的多重关系，并建议扩展音乐创作实践，探索塑造作品的各种机构。然而，这篇文章并不打算作为一个全面的描述，而只是，正如布鲁诺拉图尔所说，“以一种混乱的方式添加一个混乱的世界的混乱描述”。