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PHILIP II OF SPAIN AND TRAJAN: HISTORY OF A SPECIAL UNDELIVERED GIFT AND OF THE RECEPTION OF TRAJAN'S COLUMN
Papers of the British School at Rome Pub Date : 2021-01-13 , DOI: 10.1017/s006824622000029x
Marco Brunetti

The Pitti crystal column, preserved at the Uffizi Museum, is one of the most refined glyptic objects of the Renaissance age. Owing to its decorative system on a miniature scale, the significance of many of its scenes has remained unclear, and hence, as a consequence, so have its function, iconological message, the meaning of its all'antica style, and its intended recipient. Using detailed images of each engraved scene, this paper shows how the decorative system of the artefact (originally a mirror) is related to King Philip II of Spain (1527–1598). The entire decoration was designed to eulogize Philip II, and especially the Battle of Saint-Quentin (1557), and his consequent control over some Italian lands (Milan, Naples, Sicily and Sardinia) after the Treaty of Cateau-Cambrésis (1559). The paper investigates the reasons why Trajan's Column was chosen as an inspirational model for the Pitti column and how such an ancient model was re-elaborated and renewed through the combination of other elements that came from a wider antiquarian all'antica repertoire. In this way, it is possible to show that this valuable artefact is a clear example of how the use of all'antica style in the Renaissance was not purely referencing a glorious past, but was adapted to the use of the object itself.

中文翻译:

西班牙的菲利普二世和图拉真:特殊未交付礼物和图拉真专栏的接收历史

保存在乌菲齐博物馆的 Pitti 水晶柱是文艺复兴时期最精致的雕刻品之一。由于它的装饰系统是微型的,它的许多场景的意义仍然不清楚,因此,它的功能、图像信息、它的意义也是如此。安提卡样式及其预期的接收者。本文使用每个雕刻场景的详细图像,展示了人工制品(最初是一面镜子)的装饰系统与西班牙国王菲利普二世(1527-1598 年)的关系。整个装饰旨在颂扬菲利普二世,尤其是圣康坦战役(1557 年),以及他在卡托-康布雷西斯条约(1559 年)之后对一些意大利土地(米兰、那不勒斯、西西里和撒丁岛)的控制。本文调查了图拉真柱被选为 Pitti 柱的灵感模型的原因,以及如何通过结合来自更广泛的古文物的其他元素来重新阐述和更新这样一个古老的模型安提卡曲目。通过这种方式,有可能表明这个有价值的人工制品是一个清楚的例子,说明如何使用安提卡文艺复兴时期的风格并非纯粹参考辉煌的过去,而是适应了对象本身的使用。
更新日期:2021-01-13
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