The fourteenth century saw the production of innumerable Islamic manuscripts, many of which were extensively and expertly illuminated. The period is well-studied, in particular, the products of the ateliers of Baghdad, Tabriz, Shiraz and Cairo. This article concerns a manuscript from a less well-known production centre, namely that of Erzincan. This manuscript is a copy of Jalāl al-Dīn Rūmī's Mas̲navī produced in 774/1373. Although discussed briefly in previous scholarship (and attributed to Erzincan), there is much more to say about this skilfully and extensively illuminated manuscript. This article examines the manuscript's text, codicology, illuminations, inscriptions and wider historical context. In doing so, it substantiates the manuscript's connection to Erzincan and adds to the growing body of literature concerning the arts of the book of thirteenth- and fourteenth-century Rūm.

中文翻译：

---

Tāj al-Dīn Shaykh Ḥusayn Bey 的 1373 Mas̲navī

十四世纪见证了无数伊斯兰手稿的制作，其中许多都被广泛而专业地阐明。这一时期得到了充分的研究，特别是巴格达、大不里士、设拉子和开罗的工作室的产品。本文涉及来自一个不太知名的制作中心的手稿，即 Erzincan 的手稿。这份手稿是 Jalāl al-Dīn Rūmī 的副本马斯纳维生产于 774/1373。尽管在以前的学术研究中进行了简要讨论（并归功于 Erzincan），但对于这部巧妙而广泛的照明手稿，还有很多话要说。本文考察了手稿的文本、编法、照明、铭文和更广泛的历史背景。这样做，它证实了手稿与 Erzincan 的联系，并增加了关于 13 和 14 世纪 Rūm 书艺术的文学作品。