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“Harlem Knows”: Eleo Pomare's Choreographic Theory of Vitality and Diaspora Citation in Blues for the Jungle
Dance Research Journal Pub Date : 2020-12-29 , DOI: 10.1017/s0149767720000339 Charmian Wells
Dance Research Journal Pub Date : 2020-12-29 , DOI: 10.1017/s0149767720000339 Charmian Wells
This article examines Eleo Pomare's concept of vitality in his piece Blues for the Jungle (1966) as a black aesthetic approach to choreography. Vitality seeks to connect with black audiences in Harlem by referencing and affirming shared cultural knowledge, conveying an embodied epistemology of the US political economy defined by the lived experiences of Harlem: “Harlem knows.” Using a lens of diaspora citation, I argue that Pomare's choreographic citations of “vital” ways of moving and knowing in Harlem critique the terms for “proper” national belonging, while articulating diasporic belonging in motion.
中文翻译:
“哈莱姆知道”:Eleo Pomare 的活力编排理论和丛林蓝调中的侨民引用
本文探讨了 Eleo Pomare 在他的作品中的活力概念丛林蓝调 (1966)作为一种黑人美学方法来编排。Vitality 试图通过引用和肯定共同的文化知识来与哈莱姆的黑人观众建立联系,传达一种由哈莱姆的生活经历定义的美国政治经济的具体认识论:“哈莱姆知道”。使用散居引用的镜头,我认为波马雷在哈莱姆区对“重要”移动和认知方式的编排引用批评了“适当的”国家归属的术语,同时阐明了运动中的流散归属。
更新日期:2020-12-29
中文翻译:
“哈莱姆知道”:Eleo Pomare 的活力编排理论和丛林蓝调中的侨民引用
本文探讨了 Eleo Pomare 在他的作品中的活力概念