This paper deals with the hidden dialogue and the dialogue rejoinder in Saša Stanišić’s novel How the Soldier Repairs the Gramophone (2006). Both instruments of text formation belong to the theoretical concept of “dialogism”, which was developed by Michail M. Bachtin in the 1920s and introduced into West European literary theory at the end of the 1960s. The research on hidden dialogue and dialogue rejoinder is an approach that recent research on the novel has not yet taken into account. The aim of the text analysis is to show how the author uses both instruments of text formation in order to connect various cultural (con)texts and to invite the reader to get acquainted with less familiar cultures.

本文涉及萨莎·斯坦尼斯奇（SašaStanišić）的小说《士兵如何修理留声机》（2006）中的隐藏对话和对话重合。两种文本形成工具都属于“对话”的理论概念，该概念是由Michail M. Bachtin在1920年代提出的，并在1960年代末引入了西欧文学理论。对隐藏对话和对话重新结合的研究是目前尚未考虑到该小说的一种方法。文本分析的目的是说明作者如何使用两种文本形成工具来连接各种文化（上下文）文本，并邀请读者熟悉不太熟悉的文化。