How does a museum shape the experience of memory? Focusing on the Chilean Museum of Memory and Human Rights (MMHR), this article develops this question through the analysis of the entanglement of sensations, values, affects, and the museum forms of addressing the beholder. The paper deepens on three critical phenomena that contribute to the shaping of the experience of memory among a heterogeneous public: (1) the acknowledgment of the visitor’s presence, (2) the mediation of memory, and (3) the emergence of an anonymous voice that takes place as a collective expression of the people. It argues that the material arrangements of the MMHR become forms of detachment from the past that shape the aesthetic‐political field of memory in post‐Pinochet Chile. [Museum of Memory and Human Rights (MMHR), politics, aesthetics, Chile]

中文翻译：

---

塑造品奇后智利的记忆中的政治记忆的博物馆任务

博物馆如何塑造记忆体验？本文着眼于智利的记忆与人权博物馆（MMHR），通过分析感觉，价值，情感和解决旁观者的博物馆形式来解决这个问题。本文深入探讨了三种关键现象，这些现象有助于塑造异类公众的记忆体验：（1）承认访客的在场；（2）记忆的中介；（3）匿名声音的出现作为人民的集体表达而发生的。它认为，MMHR的物质安排已成为与过去脱节的形式，塑造了后皮诺切特智利的审美政治领域。[记忆与人权博物馆（MMHR），政治，美学，智利]