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Balthasar avec Kristeva: On the Recovery of a Baroque Teresa of Avila
Modern Theology Pub Date : 2020-01-15 , DOI: 10.1111/moth.12595
Jennifer Newsome Martin 1
Affiliation  

This article suggests that Hans Urs von Balthasar’s critique of hyper‐subjectivism in Spanish Carmelite mysticism can be valuably supplemented by Julia Kristeva’s experimental novel Teresa My Love: An Imagined Life of the Saint of Avila. In particular, I argue that Kristeva’s characterization of St. Teresa of Avila as a “baroque” subject nuances Balthasar’s critique, as the novel complicates the apparent binaries of immanence‐transcendence and subject‐object, presenting baroque subjectivity as dramatic, plural, porous, complicated, de‐centered, ek‐static, and erotic, inhabiting and inhabited by an o/Other, a construction of the subject which resists by definition the pull of a psychological solipsism. Moreover, the article suggests that Kristeva’s novel operates as a powerful rhetorical mechanism not only for bringing Teresa to life in a new way, but also for unveiling both Balthasar’s internal inconsistencies as well as his internal resources, the latter of which include his reflections on baroque representation and theatricality, particularly with respect to Ignatius of Loyola, and his figurations of selfhood and sainthood in terms both of liquidity and as “expropriated” and “unselved.”

中文翻译:

Balthasar avec Kristeva:论阿维拉的巴洛克式特蕾莎修女的恢复

本文认为,汉斯·乌尔斯·冯·巴尔塔萨尔(Hans Urs von Balthasar)对西班牙加尔默罗神秘主义的超主观主义的批判可以得到朱莉娅·克里斯蒂娃(Julia Kristeva)的实验小说《特蕾莎·我的爱:阿维拉圣人的想象中的生活》的宝贵补充。。我特别指出,克里斯蒂娃将阿维拉的圣特雷莎(St. Teresa)刻画为“巴洛克式”主题的细微差别,这使巴尔塔萨的批评更为复杂,因为小说使内在超越和主题-客体的明显二元化复杂化,呈现出巴洛克式的主观性是戏剧性,多元性,多孔性,复杂的,偏心的,静态的和色情的,由o / Other居住和居住,这是该主题的构造,根据定义,它可以抵抗心理唯我论的吸引力。此外,文章暗示克里斯蒂娃的小说是一种强大的修辞机制,不仅可以使特雷莎焕然一新,还可以揭示巴尔塔萨的内部矛盾和内部资源,后者包括他对巴洛克式风格的反思。代表性和戏剧性,特别是就洛约拉的伊格纳修斯而言,
更新日期:2020-01-15
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