ABSTRACT

Though ostensibly about the emergence of the infamous Batman villain, Joker eschews traditional comic book tropes and fantasy, instead grounding Joker’s story in a recognizable realistic world devoid of superpowers or heroes. The film’s sound design, and in particular its constant barrage of ambient noise, is a crucial component of this portrayal. It serves both to create the decaying city environment in which Arthur Fleck becomes Joker, and to help the audience understand how this ‘nobody’ becomes a notorious killer and the hero of Gotham’s nascent revolution.

中文翻译：

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在小丑中听到现实

摘要

尽管表面上看是臭名昭著的蝙蝠侠反派的出现，但Joker避开了传统漫画的比喻和幻想，而是将Joker的故事立足于一个公认的现实世界，没有超级大国或英雄。影片的声音设计，尤其是持续不断的环境噪声，是这一写照的关键组成部分。它既可以创造出一个腐烂的城市环境，在其中Arthur Fleck成为小丑，也可以帮助观众理解这个“没人”如何成为臭名昭著的杀手和哥谭的新生革命的英雄。