Charlotte Perkins Gilman (1860–1935) helped spearhead the fin de siecle and early 20th‐century women’s rights movement and significantly contributed to the feminist literary genre with The Yellow Wallpaper (1892). Despite her dedication to the women’s movement and contributions to feminist literature, her novel Herland (1915) features problematic undertones of racism, elitism, and masculine degradation. Within recent years, feminism has become a term that is synonymous with inclusivity, with a focus on intersectionality and the rights of not only women but others who have been disenfranchised by race, religious affiliation, sexuality, socioeconomic status, or gender identification. Given modern feminism’s focus on diversity, the racist undertones and focus on gender separatism in Herland places Gilman outside the feminist literary genre, particularly as it has been defined in recent decades.

中文翻译：

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探索赫兰的女性气质，男性气质和种族偏见

夏洛特·珀金斯·吉尔曼（Charlotte Perkins Gilman，1860–1935年）率先领导了20世纪末期的妇女权利运动，并凭借《黄色壁纸》（1892年）为女性主义文学流派做出了重要贡献。尽管她致力于妇女的运动并为女性主义文学做出了贡献，但她的小说《赫兰》（Herland，1915年）却带有种族主义，高贵主义和男性堕落的可疑色彩。在最近几年中，女权主义已成为包容性的代名词，不仅关注妇女的相互关系和权利，而且还关注那些因种族，宗教信仰，性，社会经济地位或性别认同而被剥夺权利的妇女。鉴于现代女权主义对多样性的关注，赫尔兰的种族主义色彩和对性别分离主义的关注使吉尔曼不在女权主义文学体裁的范围内，