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Neoliberal Film and Feminism
Interventions ( IF 0.477 ) Pub Date : 2021-02-24 , DOI: 10.1080/1369801x.2021.1885467
Robin Goodman 1
Affiliation  

This essay looks at two recent films – Rick Rosenthal’s 2013 Drones and Ana Lily Amirpour’s 2014 A Girl Walks Home Alone at Night – to discuss the intersections between feminism and neoliberalism. It argues neoliberalism promotes images of feminist-influenced independent women in order to advance its ideologies of resilience and public-sector critique as well as to make sense of its policies of privatization, technological expansion, and cuts in workforce supports. Images of women in such films also serve to create narrative and moral meanings that support forms of exploitation in reproductive economies. However, such films also demonstrate that neoliberalism’s citations of feminism cannot help but produce multiple feminist perspectives, some of which cannot be collapsed into – and even contradict – neoliberalism’s constructions.



中文翻译:

新自由主义电影与女权主义

本文着眼于最近的两部电影——里克·罗森塔尔的 2013 年无人机和安娜·莉莉·阿米普尔的 2014 年一个女孩在夜里独自回家——讨论女权主义和新自由主义之间的交叉点。它认为,新自由主义宣传受女权主义影响的独立女性形象,以推进其复原力和公共部门批评的意识形态,并使其私有化、技术扩张和削减劳动力支持的政策变得有意义。此类电影中的女性形象也有助于创造支持生殖经济中剥削形式的叙事和道德意义。然而,这样的电影也表明,新自由主义对女权主义的引用不禁产生了多种女权主义观点,其中一些不能被折叠成——甚至与新自由主义的结构相矛盾。

更新日期:2021-02-24
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