I study the history of actors, emphasizing the historical conditions of their working and creative lives amid the ever shifting cultural and performance conventions guiding which bodies are privileged in the telling of which stories. My research expeditions have routinely prompted me to follow a given actor from the stage, often to screens large and small and, just as frequently, to the ostensibly nontheatrical realms of politics, community organizing, or education. Sometimes these actors return to the theatrical stage, but not always. But I go where actors go, no matter the industry, enterprise, or discipline. If they're an actor, and they're up to something, I'm interested. That's what I call my actor alibi.

中文翻译：

---

我的演员不在场

我研究演员的历史，强调他们在不断变化的文化和表演惯例中工作和创作生活的历史条件，这些惯例指导着哪些机构有权讲述哪些故事。我的研究考察经常促使我从舞台上跟随一个特定的演员，经常去大屏幕和小屏幕，同样经常地，去政治、社区组织或教育等表面上非戏剧性的领域。有时这些演员会回到戏剧舞台，但并非总是如此。但我去演员去的地方，无论是行业、企业还是学科。如果他们是演员，并且他们正在做某事，我很感兴趣。这就是我所说的我的演员不在场证明。