In this article Natalia Yakubova explores the interactions between theatre and literature as between an actress on one side and a man of letters on the other. The interactions discussed here came at a particular historical moment, when the transition from an actor-centred to a director-centred hierarchy was taking place, and the article deals with the letters written by actresses to the men who were playwrights and/or theoreticians of the new theatre: Eleonora Duse writing to Gabriele D’Annunzio, Vera Komissarzhevskaya to Valery Bryusov, Irena Solska to Jerzy Żuławski, and Gertrud Eysoldt to Hugo von Hofmannsthal. In each case study, attention is paid to the characteristics of the relationships between a given actress and a particular writer, their attitudes towards theatre reform, the way in which the actresses evaluated the literary status of their letter writing, and, significantly, the stylistic features of their writing. Natalia Yakubova is a senior researcher of the State Institute of Art Studies in Moscow, and was Marie Curie Fellow at the Institute of Literary Studies of the Polish Academy of Sciences between 2013 and 2015. She is author of O Witkacym (2010) and Teatr epokhi peremen v Polshe, Vengrii i Rossii 1990-ye–2010-ye (2014), and has published numerous articles in Russia, Poland, the USA, and Canada, among other countries.

中文翻译：

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幕后花絮：戏剧女性写给文学男性

在这篇文章中，娜塔莉亚·雅库波娃探讨了戏剧与文学之间的互动，一方面是女演员，另一方面是文人。这里讨论的互动发生在一个特定的历史时刻，当时正在从以演员为中心的等级制度过渡到以导演为中心的等级制度，而本文处理的是女演员写给剧作家和/或理论家的男人的信。新剧院：Eleonora Duse 写给 Gabriele D'Annunzio，Vera Komissarzhevskaya 写给 Valery Bryusov，Irena Solska 写给 Jerzy Żuławski，Gertrud Eysoldt 写给 Hugo von Hofmannsthal。在每个案例研究中，关注特定女演员和特定作家之间关系的特征，他们对戏剧改革的态度，女演员们评估他们写信的文学地位的方式，以及重要的是，他们写作的文体特征。Natalia Yakubova 是莫斯科国立艺术研究所高级研究员，2013 年至 2015 年期间担任波兰科学院文学研究所玛丽·居里研究员。维特卡西姆（2010）和Teatr epokhi peremen v Polshe，Vengrii i Rossii 1990-ye–2010-ye(2014)，并在俄罗斯、波兰、美国和加拿大等国家发表了多篇文章。