Abstract:Concepción is a Chilean city rich in history and culture, home to the legendary Teatro de la Universidad de Concepción (TUC), which was the most active regional university theater during the 1950's and 1960's. Three young, idealistic actors named Gustavo Sáez, Ximena Ramírez, and Julio Muñoz founded the independent theatre company El Rostro in Concepción in 1978. This article traces the historiography of El Rostro during forty years of uninterrupted work in both dictatorship and democracy. During the Pinochet years, when most companies stopped their artistic endeavors due to censorship and political persecution, El Rostro was the only collective that managed to adapt, change, and survive while raising political and social consciousness. Risking their lives, they staged plays by Juan Radrigán (Las brutas, Testimonios de la muerte de Sabina, 1982), and Isadora Aguirre (Retablo de Yumbel, 1986). El Rostro's history is a testament to the group's commitment to its artistic mission and to the city. Today, theatre continues to flourish in Concepción and El Rostro remains in operation, revitalizing the stage with all kinds of productions, especially plays that educate the new generations through a strong repertoire of theatre for children.

中文翻译：

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罗斯特罗独立剧院（Teatro de独立剧院）：康塞普西翁（concepción）大剧院40个

摘要：康塞普西翁（Concepción）是一座有着悠久历史和文化的智利城市，是传奇的康塞普西翁大学剧院（TUC）的所在地，该剧院是1950年代和1960年代最活跃的地区大学剧院。1978年，三个年轻的理想主义演员古斯塔沃​​·萨雷斯（GustavoSáez），西梅纳·拉米雷斯（XimenaRamírez）和朱利奥·穆尼奥斯（JulioMuñoz）在康塞普西翁创立了独立剧院公司El Rostro。本文追溯了El Rostro在独裁政权和民主国家40年不间断工作的历史。在皮诺切特（Pinochet）年代，大多数公司由于审查制度和政治迫害而停止了艺术创作，埃尔·罗斯特（El Rostro）是唯一在提高政治和社会意识的同时适应，改变和生存的集体。冒着生命危险，他们上演了JuanRadrigán（Las brutas，萨比娜（Sabina）的《见证（Testimonios de la muerte de Sabina），1982年》和伊莎多拉（Isadora Aguirre）（Retablo de Yumbel，1986年）。埃尔·罗斯特（El Rostro）的历史证明了该集团对艺术使命和对城市的承诺。如今，戏剧在康塞普西翁（Concepción）继续蓬勃发展，埃尔·罗斯特（El Rostro）仍在运营，通过各种制作形式重现舞台，尤其是通过强大的儿童戏剧剧目对新一代进行教育的戏剧。