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2017 Black Tent Theatre Project in Gwanghwamun Square: Staging Tragic Memory and Building Solidarity through Public Theatre
Asian Theatre Journal Pub Date : 2019-01-01 , DOI: 10.1353/atj.2019.0006
Jae Kyoung Kim

Abstract:This article investigates the 2017 Plaza Theatre in the Black Tent, a series of performances on a makeshift stage temporarily set up in downtown Seoul, and defines its performative significance, along with Korea's sociopolitical stream of events. Examining the site specificity of Gwanghwamun Square, the location of the Black Tent, this article focuses on the communal bonds people experienced (or could experience) there, many of which related to protests in the wake of the Sewol ferry disaster of 2014 and mass-demonstrations against former President Park Geun-hye from October 2016 to March 2017. In particular, it analyzes the production Red Poem (written and directed by Lee Hae-seong), focusing on the production's attention to the ignored voices of Korean society. I argue that by staging a site of solidarity the Black Tent offers communal consolation that contributes to the square's identity as a public place.

中文翻译:

2017年光化门广场黑色帐篷剧场项目:通过公共剧场上演悲剧记忆和建立团结

摘要:本文调查了 2017 年在首尔市中心临时搭建的临时舞台上的“黑色帐篷广场剧院”系列表演,并定义了其表演意义,以及韩国的社会政治事件流。本文考察了黑帐篷所在地光化门广场的场地特殊性,重点关注人们在那里经历(或可能经历)的社区纽带,其中许多与 2014 年世越渡轮灾难和大规模的抗议活动有关。 2016 年 10 月至 2017 年 3 月期间针对前总统朴槿惠的示威活动。特别分析了《红色诗篇》(由李海成编剧和导演),重点关注该作品对韩国社会被忽视的声音的关注。
更新日期:2019-01-01
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