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Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan's (1965) and Shakespeare's (1597)Romeo and Juliets
Dance Research Journal Pub Date : 2017-08-22 , DOI: 10.1017/s0149767717000201
Brandon Shaw

Archival evidence of Shakespeare's and Kenneth MacMillan'sRomeo and Juliets evince patriarchal efforts to efface female rebellion. As Juliet, Lynn Seymour declassifies ballet through recalcitrant stillness and off-balance choreography. Patriarchal institutions enlisted Margot Fonteyn's classifying instinct to efface these balletic transgressions from the archive utilizing strategies corresponding to early modern textual editing practices.

中文翻译:

消除反抗和纠正倾斜:解密麦克米伦(1965)和莎士比亚(1597)的档案罗密欧与朱丽叶

莎士比亚和肯尼斯·麦克米伦的档案证据罗密欧与朱丽叶这表明父权制为消除女性反叛所做的努力。作为朱丽叶,林恩·西摩(Lynn Seymour)通过顽固的静止和失衡的编排对芭蕾舞进行解密。父权制机构利用玛戈特·方廷的分类本能,利用与早期现代文本编辑实践相对应的策略从档案中抹去这些芭蕾舞式的越轨行为。
更新日期:2017-08-22
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