The first part of the twenty-first century has been marked by particularly fraught social and racial tensions in the United States, brought to awareness internationally by the Black Lives Matter protest movement that started in 2014 and the vitriol espoused by the 2016 Republican presidential candidate. Randy Martin's work offers paradigms for interrogating the relationships between dance and its sociopolitical contexts that are highly relevant at this historical juncture. Drawing on some of Martin's key concepts, this article explores choreographic agency and creative strategies in dances that respond to issues of social injustice, mass incarceration, and racial disparities in the criminal justice system. Works by Joanna Haigood (Zaccho Dance Theatre), Amie S. Dowling, filmmaker Justin Forbord, and Kyle Abraham (Abraham.In.Motion) focus on narratives of oppression and disenfranchisement yet also inspire resistance and hope.

中文翻译：

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受约束的身体：舞蹈、社会正义和编舞机构

21 世纪上半叶的特点是美国特别令人担忧的社会和种族紧张局势，2014 年开始的“黑人的命也是命”抗议运动和 2016 年共和党总统候选人所支持的尖酸刻薄在国际上引起了人们的注意。兰迪·马丁的作品为探究舞蹈与其社会政治背景之间的关系提供了范式，这些关系在这个历史关头是高度相关的。本文借鉴马丁的一些关键概念，探讨了舞蹈中的编舞机构和创造性策略，以应对社会不公正、大规模监禁和刑事司法系统中的种族差异等问题。Joanna Haigood（Zaccho 舞蹈剧院）、Amie S. Dowling、电影制片人 Justin Forbord 和 Kyle Abraham（Abraham.In.