With the appearance of opera videos in 2013 (DVD) and 2015 (YouTube), Paul Dukas'sAriane et Barbe-Bleue(1907) has been revived for twenty-first-century audiences. Not only has this formerly obscure work migrated to a mass-media landscape of personalized digital consumption, but its cultural recontextualization has also been extended to the interpretations staged in those opera videos. Both challenge historical, feminist readings ofAriane. Updating the action to modern scenes of abduction and captivity, these productions recast Ariane as victim and reframe the opera as part of the present discourse on sexual violence. As these recent productions ofArianeresonate with broader aesthetic tendencies in current popular culture, I trace parallels between the opera and three such examples from 2015. Selecting works that exemplify the trend of repackaging the Bluebeard tale as contemporary drama, I cite the filmsFifty Shades of GreyandRoom, and the Netflix seriesThe Unbreakable Kimmy Schmidt.

中文翻译：

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五十度蓝胡子？杜卡斯的《二十一世纪的阿丽亚娜和芭比蓝》

随着 2013 年 (DVD) 和 2015 年 (YouTube) 歌剧视频的出现，保罗·杜卡斯的Ariane et Barbe-Bleue（1907 年）已为 21 世纪的观众重生。这部从前晦涩难懂的作品不仅迁移到了个性化数字消费的大众媒体领域，而且其文化再语境化也延伸到了那些歌剧视频中上演的诠释。两者都挑战历史，女权主义的解读阿丽亚娜. 这些作品将动作更新为绑架和囚禁的现代场景，将阿丽亚娜重新塑造为受害者，并将歌剧重新定义为当前关于性暴力的话语的一部分。作为这些最近的作品阿丽亚娜为了与当前流行文化中更广泛的审美倾向产生共鸣，我追溯了这部歌剧与 2015 年的三个这样的例子之间的相似之处。选择了体现将蓝胡子故事重新包装为当代戏剧趋势的作品，我引用了电影五十度灰和房间，以及 Netflix 系列坚不可摧的金米施密特.