当前位置: X-MOL 学术Organised Sound › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
Across Fields: Sound, art and technology from an electromechanical perspective
Organised Sound Pub Date : 2017-07-12 , DOI: 10.1017/s1355771817000188
Jon Pigott

This article follows electromechanical technologies through different contexts of electronic and experimental music, sound art and kinetic art as well as through parts of their industrial development and application. The aim is to explore connections between these different fields which are often obscured by disciplinary and genre divides, and which are typically unrepresented by critical and historical accounts. The approach is influenced by the field of science and technology studies (STS, also science technology and society) where technical and cultural entanglements are seen as crafting particular truths, and where the method of following a technology across disciplinary boundaries is found. By taking this approach to identify connections between the areas of electronic music, sound art and kinetic art, new and rediscovered critical appraisals of the use of electromechanical technologies as tools in creative sound production are identified. These positions are then applied to a selection of contemporary practitioners who continue to work with and forefront electromechanical technologies within the fields of electronic music and sound art.

中文翻译:

跨领域:机电视角下的声音、艺术和技术

本文通过电子和实验音乐、声音艺术和动态艺术的不同背景以及它们的部分工业发展和应用来跟踪机电技术。其目的是探索这些不同领域之间的联系,这些领域经常被学科和流派分歧所掩盖,并且通常没有被批判和历史记载所代表。该方法受到科学和技术研究领域(STS,也称为科学技术和社会)的影响,其中技术和文化纠葛被视为制造特定真理,并且发现了跨学科边界遵循技术的方法。通过采用这种方法来识别电子音乐、声音艺术和动态艺术领域之间的联系,确定了使用机电技术作为创造性声音制作工具的新的和重新发现的批判性评估。然后将这些职位应用于选择继续使用电子音乐和声音艺术领域的前沿机电技术的当代从业者。
更新日期:2017-07-12
down
wechat
bug