French musique concrète artist Pierre Schaeffer pioneered new ways of listening to and studying sound. His study and manipulation of recorded sounds to create music changed the way contemporary musicians, from a multitude of disciplines, approach making music. Additionally, Schaeffer’s treatise on acousmatic listening to sonorous objects has deeply influenced contemporary sound studies. In this article, I elucidate how musique concrète has informed my practice-led research project,Looking Awry– from which I will discuss two case studies. I outline how acousmatic listening to field recordings from everyday environments informed the development of performance strategies that guide improvised musical performance; a malleable practice that can be applied to a variety of performance settings.

中文翻译：

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研究响亮的物体以开发即兴创作的框架

法国具体音乐艺术家 Pierre Schaeffer 开创了聆听和研究声音的新方法。他对录制声音的研究和操纵以创作音乐改变了当代音乐家从众多学科中制作音乐的方式。此外，Schaeffer 对声音对象的声学聆听的专着对当代声音研究产生了深远的影响。在这篇文章中，我阐述了具体音乐如何影响我以实践为主导的研究项目，看起来不对劲– 我将讨论两个案例研究。我概述了如何通过聆听日常环境中的现场录音来指导即兴音乐表演的表演策略的发展；一种可延展的实践，可应用于各种表演设置。