The present article demonstrates the complexity of musico-textual relationships in Ave miles celestis curie, a fourteenth-century polyphonic song whose generic markers relate it to both English troped chant settings and to the motet. Ave miles celestis curie was written in honour of the St Edmund, King and Martyr, whose cult flourished in England, particularly in East Anglia. Through a fresh analysis of the tenor parts, lyrics, and structural elements, I argue that previous discussions of Ave miles celestis curie have overlooked some of the musical and textual troping on which it is based. Furthermore, Ave miles celestis curie is used to interrogate assumptions about the limitations of analysing English music in comparison with contemporary French motets; rather than being only generic in sentiment, I argue for fresh investigation into individual pieces to reconsider the presence subtle relationships between music and text.

中文翻译：

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14世纪英语复音的音乐，文本和结构：以Ave Miles Celestis Curie为例

本文展示了十四世纪的复调歌曲Ave Miles celestis curie中音乐与文本之间关系的复杂性，其通用标记将其与英语倾向的咏叹调设置和动词相关。Ave miles celestis curie是为纪念圣埃德蒙，金和道者而写的，他们的崇拜在英格兰，特别是在东安格利亚大放异彩。通过对中音部分，歌词和结构元素的全新分析，我认为以前有关Ave miles celestis curie的讨论已经忽略了它所基于的一些音乐和文字对比。此外，“ Aven miles celestis curie”被用来质疑关于分析英语音乐与当代法国音乐的局限性的假设。而不是只在情感上通用，