The abandonment in the early nineteenth century of the Ottoman military bands (mehterhâne and tabl-khāne) that had provided ceremonial music for the Romanian princes, and the establishment of Western-style military bands in the newly formed army, brought about a radical shift in the cultural paradigm that was to have an effect upon the entire spectrum of musical life in the capitals of the Romanian provinces of Wallachia and Moldavia. This change occurred at two levels: on the one hand, musicians and the repertory current in noble salons were imported from the West, and, on the other, a native ethnic element was activated in a series of works and orchestrations based on folk themes. The present study examines the emergence, development and organization of the modern military bands in the Principalities of Wallachia and Moldavia in the context of native musical practices and the transition of Romanian society from an oriental mentality to an outlook and behaviour specific to Western Europe, in the period from the nineteenth century to the War of Independence (1877).

中文翻译：

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1821 年至 1878 年间罗马尼亚公国的军乐队

19 世纪初，曾为罗马尼亚诸侯提供仪式音乐的奥斯曼军乐队（mehterhâne 和 tabl-khāne）被放弃，新组建的军队中建立西式军乐队，带来了激进的转变。这种文化范式将对罗马尼亚瓦拉几亚和摩尔达维亚省首府的整个音乐生活产生影响。这种变化发生在两个层面：一方面是从西方引进音乐家和贵族沙龙的剧目，另一方面是在一系列以民间为主题的作品和管弦乐中激活本土民族元素。本研究考察了出现，