In Latinx Theater in the Times of Neoliberalism, Patricia Ybarra engages Latinx theatre of the past three decades that stages embodied and affective experiences of neoliberal violence, including forced migration, femicide, state-sponsored terror, and transnational business practices. With a specific focus on Latinx theatre about Cuba and Mexico, the book argues that these works make visible and audible the physical, emotional, and epistemic violence of neoliberal policies. It demonstrates that Latinx theatre of this period is not invested in countering neoliberal ideology and practice; instead, Latinx playwrights respond to the recursive, affective violence of neoliberalism by exposing the pain and trauma inherent in the constant battle to survive. Their works disrupt comfortable liberal narratives of immigration, unified subjectivity, and heteronormative, progressive time.

中文翻译：

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新自由主义时期的拉丁剧院，帕特里夏·亚巴拉（Patricia A. Ybarra）

在新自由主义时期的拉丁剧院中，帕特里夏·伊巴拉（Patricia Ybarra）参与了过去三十年的拉丁剧院，这些舞台展现了新自由主义暴力的体现和情感经历，包括强迫移民，杀害妇女，由国家资助的恐怖活动和跨国商业行为。该书特别着重于关于古巴和墨西哥的拉丁戏剧，认为这些作品使新自由主义政策的肉体，情感和认知暴力可见可见。它表明，这一时期的拉丁戏剧没有投入反新自由主义的思想和实践。相反，拉丁裔剧作家通过暴露持续生存斗争中固有的痛苦和创伤，来应对新自由主义的递归情感性暴力。他们的作品破坏了对移民的舒适自由主义叙述，统一的主观性，