In “(Re-)Documenting the Black Body in America,” my printed “provocation” in Theatre Journal’s December 2018 special issue on Post-Fact Performance, I reflect on raising my black son in America. There, I investigate the (un)documentation of black bodies in America and discuss the duty to find solutions as to how to address systemic racism on black bodies in a post-fact society. As part of this solution-finding drive, I created The Absence of the Other Flesh: The Dismissal of the Black Body in America, a dance for film project that shows how gestures of resistance exist in America. Through structures representing power, and images that reflect the deaths of black bodies murdered by police, I aim to show the joy, pain, intellect, and consequence of being black in America. This film was partly inspired by the Colin Kaepernick controversy, which I discuss below.

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其他肉体的缺席：美国国家橄榄球联盟球场上的黑死病被解雇

我在《戏剧期刊》 2018年12月关于事后演出的特刊中印刷的“挑衅”中的“挑衅”是“在美国重新记录黑人的身体”，我反思在美国抚养黑人儿子。在那儿，我调查了美国黑社会的（非）文献记录，并讨论了寻找解决方案的责任，以解决在后事实社会中如何解决黑社会的系统种族主义问题。作为此解决方案寻找工作的一部分，我创作了《其他肉体的缺席：美国黑体的解散》，这是一部电影舞蹈，旨在展示美国抵抗运动的姿态。通过代表权力的结构以及反映被警察谋杀的黑体死亡的图像，我旨在展示美国黑人的喜悦，痛苦，智慧和后果。这部电影的部分灵感来自科林·卡佩尼克（Colin Kaepernick）的争议，