Abstract:During the Prussian siege of Paris in the winter of 1870-1871, a play based on Horace by Corneille premiered at the Ambigu-Comique. Far from presenting a form of escapism, Le Forgeron de Châteaudun was a play that took the Franco-Prussian War as its backdrop, offering Parisian spectators an interpretative framework for understanding their resistance against the enemy blockade, a resistance that was feeling futile.Its author, Franz Beauvallet, mixed elements of Horace with contemporary news articles about the war in order to present a tragedy with a happy ending. Le Forgeron argues, through its final scene of martyrdom, that a French defeat would sow the seeds for European peace. In a departure from Horace, Beauvallet valorizes a "patriotisme de l'amour" that defies national boundaries, and identifies this as an expression of French universalism.Theaters' willingness to engage with the war as a subject of spectacle is a result of their difficult position in such times of national tragedy. Le Forgeron represents the delicate balance that theaters during the siege had to strike. Parisians were bored, but did not want to be distracted from the serious circumstances in which they found themselves. Shows like Le Forgeron de Châteaudun allowed for theaters to remain relevant during the siege as sites of engagement with civic and literary French traditions.

中文翻译：

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1870 年至 1871 年巴黎围城期间的参与剧院：重写 Corneille

摘要：1870-1871 年冬天普鲁士围攻巴黎期间，康奈尔创作的一部以贺拉斯为原型的戏剧在 Ambigu-Comique 首演。Le Forgeron de Châteaudun 远非逃避现实，而是以普法战争为背景的戏剧，为巴黎观众提供了一个解释性框架，以了解他们对敌人封锁的抵抗，这种抵抗是徒劳的。其作者, Franz Beauvallet, 将贺拉斯的元素与有关战争的当代新闻文章混合在一起，以呈现一个有圆满结局的悲剧。Le Forgeron 通过其殉难的最后一幕认为，法国的失败将为欧洲和平播下种子。与贺拉斯背道而驰，博瓦莱评价了一种无视国界的“爱国主义”，并认为这是法国普世主义的一种表达。剧院愿意将战争作为一个奇观的主题进行参与，这是他们在这种民族悲剧时期处境艰难的结果。Le Forgeron 代表了围攻期间剧院必须达到的微妙平衡。巴黎人很无聊，但不想被他们发现自己所处的严重环境分心。像 Le Forgeron de Châteaudun 这样的节目允许剧院在围攻期间保持相关性，作为参与法国公民和文学传统的场所。但不想从他们发现自己所处的严重环境中分心。像 Le Forgeron de Châteaudun 这样的节目允许剧院在围攻期间保持相关性，作为参与法国公民和文学传统的场所。但不想从他们发现自己所处的严重环境中分心。像 Le Forgeron de Châteaudun 这样的节目允许剧院在围攻期间保持相关性，作为参与法国公民和文学传统的场所。