By focusing on contemporary experimental poetry that engages with ocean plastics, this essay explores the capacity of ecopoetics to make distinctive interventions in the environmental humanities, and in particular the blue humanities. It examines work by Stephen Collis, Adam Dickinson and Evelyn Reilly to show how poetry’s forms of juxtaposition, linkage, linguistic porosity, indeterminacy and non-narrative temporalities suggest fertile modes of cultural engagement with the more-thanhuman oceans. This poetry cultivates amplified modes of attention to more-thanhuman scales of space, time, agency and modes of relation, and it performs highly material ways of understanding historical, economic and aesthetic forces affecting the oceans.

中文翻译：

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扩大环流：海洋塑料的诗意

通过关注与海洋塑料相关的当代实验诗歌，本文探讨了生态诗学对环境人文，尤其是蓝色人文进行独特干预的能力。它考察了斯蒂芬·科利斯、亚当·迪金森和伊芙琳·赖利的作品，以展示诗歌的并列、联系、语言多孔性、不确定性和非叙事时间性的形式如何暗示了与超乎人类的海洋进行文化接触的肥沃模式。这首诗培养了对超乎人类尺度的空间、时间、代理和关系模式的放大关注模式，并以高度物质的方式理解影响海洋的历史、经济和审美力量。