Abstract:In the last part of his Itinéraire de Paris à Jérusalem—the section on Tunis—Chateaubriand is primarily concerned with the quest for the great city of Carthage that is lost under its modern ruins. Chateaubriand thus marks a neat distinction between two entities existing within the same space, modern Tunis and historical Carthage, while granting preference to the latter. In this paper I propose to deal with Chateaubriand's concern with the representation of this Mediterranean space, in particular, as a carefully dichotomized double locus that is exemplified in modern Tunis versus past Carthage. A close textual study of this part will shed light on the dynamics of representation accomplished via an archaeology of mappings, mainly based on the author's time travel through written history.

中文翻译：

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Chateaubriand在突尼斯和迦太基的时空旅行：制图考古

摘要：Chateaubriand在其位于巴黎突尼斯（Inisérairede Paris）的Jérusalem的最后部分（关于突尼斯的部分）中，主要关注对在其现代废墟中迷失的迦太基大城市的追求。因此，夏多布里安（Chateaubriand）在同一空间中存在的两个实体（现代突尼斯和历史上的迦太基）之间进行了巧妙的区分，同时优先考虑后者。在这篇论文中，我建议以法国现代地中海地区突尼斯与过去的迦太基为例，仔细地将二分之一的双重场所作为该地中海空间的代表来处理查特布里安德的担忧。对这部分的密切文本研究将阐明通过制图考古学完成的制图表达动态，主要是基于作者在书面历史中的时间旅行。