National Collectionwas a participatory tour performance presented at Tel Aviv Museum of Art in 2015 by Public Movement, a group that investigates public choreographies and forms of social order. This article discusses the work's examination of the interdependency between the state and its cultural institutions, both as a paradigmatic form and as historical narrative. By following the different stages of the performance score – the group's arrival at the museum's original building where Israel's 1948 Declaration of Independence ceremony took place, a march in public space to the current museum and the tour held inside – the article explores the ways in whichNational Collection‘restates’ the aesthetic political scene of foundation and the museum's central role. Along with the embodiment of institutional authority, the performance formulates a significant critical dimension, conveying doubt and a constant sense of crisis embedded in establishing a state and prominent by displaying or reforming museum order.

中文翻译：

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重述基金会的场景：通过公众运动在国家收藏中建立以色列的国家地位和文化

国家收藏是公共运动于 2015 年在特拉维夫艺术博物馆举办的一项参与式巡回演出，该组织调查公共舞蹈和社会秩序形式。本文讨论了这部作品对国家与其文化机构之间相互依存关系的考察，既作为一种范式形式，也作为一种历史叙述。通过跟踪表演得分的不同阶段——小组到达博物馆的原始建筑，以色列 1948 年独立宣言仪式在那里举行，在公共空间游行到当前的博物馆以及在内部进行的参观——文章探讨了如何在国家收藏“重申”基金会的审美政治场景和博物馆的核心作用。随着机构权威的体现，表演形成了一个重要的批判维度，传达了一种怀疑和一种持续的危机感，这种危机感植根于建立国家的过程中，并通过展示或改革博物馆秩序来突出。