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A Look and a Nod: Merleau-Ponty, Shakespeare, Heaney, and the Mediation of Form
Philosophy and Literature Pub Date : 2018-01-01 , DOI: 10.1353/phl.2018.0021
Arthur A. Brown

Abstract:To describe Shakespeare's Sonnet 73 and Seamus Heaney's "The Nod"—poems about a look and a nod—is to see literary form as an act of perception, one that is always historical and meaningful, a movement back and forth between perceiver and perceived. Even so conspicuous a form as the sonnet is never empty and only provisionally subject to measure or analysis. To read these works is to recognize what Merleau-Ponty calls the "chiasm"—to see the work of art as an enactment of "mediation through reversal" and to see being in its primordial standing as appearing, enduring, and apprehending.

中文翻译:

一个眼神和一个点头:梅洛-庞蒂、莎士比亚、希尼和形式的中介

摘要:描述莎士比亚的十四行诗 73 和西默斯·希尼的“点头”——关于一个眼神和一个点头的诗歌——是将文学形式视为一种感知行为,一种总是具有历史意义的感知行为,一种在感知者和感知者之间来回移动的运动。察觉到。即使像十四行诗这样显眼的形式也绝不是空洞的,只是暂时受制于测量或分析。阅读这些作品就是认识到梅洛-庞蒂所说的“交叉”——将艺术作品视为“通过逆转进行调解”的体现,并将处于其原始状态的存在视为显现、持久和理解。
更新日期:2018-01-01
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