Philosophers discussing lyric poetry often focus on first personal expression as a mark of the ‘lyric’, which has resulted in a narrow characterisation of the nature of intimacy in lyric poetry that focuses on the individual poet, poetic voice or reader. In this article, I highlight a valuable way in which some works of lyric poetry can engage us in a kind of intimate relationship that connects the reader with the voice of the poem through the use of the second person. In illustrating my claims, I will focus on Claudia Rankine's collection of poems Citizen (2014).

中文翻译：

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培养亲密感：抒情诗中第二人称的运用

哲学家们在讨论抒情诗时，往往关注第一个人表达作为“抒情”的标志，这导致对抒情诗中亲密性质的狭隘表征，侧重于个别诗人、诗意的声音或读者。在这篇文章中，我强调了一种有价值的方式，在这种方式中，一些抒情诗作品可以让我们通过使用第二人称将读者与诗歌的声音联系起来，建立一种亲密的关系。在说明我的主张时，我将重点关注克劳迪娅·兰金 (Claudia Rankine) 的诗集《公民》(2014)。