Abstract:This paper uses Kristevan theory to demonstrate how the postmodernity of Cha's Dictée carries it out of melancholia into mourning, by working through multiple personal and political traumas. Traversing Catholic Mysteries and celebrating women at the intersection of the body and the nameable, Dictée enacts psychoanalytic forgiveness, transforming suffering into meaning. Yet the wounds of history are resurrected as remnants (in sync with Agamben's work) that refuse to break the tie between the possibility and impossibility of speaking.

中文翻译：

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Dictée 的后现代哀悼：“一条线连接虚空”

摘要：本文运用克里斯特文理论，通过处理多重个人和政治创伤，论证查氏辞典的后现代性如何将其从忧郁中带入哀悼。Dictée 穿越天主教奥秘并在身体和可命名的交叉点庆祝女性，制定精神分析宽恕，将痛苦转化为意义。然而，历史的伤口作为残余物（与阿甘本的作品同步）复活了，这些残余物拒绝打破说话的可能性和不可能性之间的联系。