The expansion of access to devices, as well as the production and publication options in social networks requires a broader definition of the traditional notion of personal digital storytelling. To get a deeper understanding of these practices in the group of adolescents, the objective of this article is to analyze what are the reasons that direct the publications of personal stories and what kind of filters, agents and consequences are articulated in these stories. To do this, the most qualitative part of an investigation on teenagers’ internet publication guidelines is synthesized. Specifically, the results of a semi-structured interview with 12 adolescents between 12 and 20 years are shown. The answers show that the interviewees’ perspective on what a digital story is goes beyond the format and varies depending on the network where it is published and the type of content. Thus, the emphasis and motivation of the publication has shifted from the digital - which has been incorporated with something normal and not differential - towards the personal, focusing the publications on the daily life of young people. An extension and refinement of the public-private dichotomy has been identified, maintaining general privacy guidelines above the dissemination of publications. As for filters, publications are preceded by the widespread use of image modification tools. Finally, the answers show the influence of personal agents, mostly friends and brothers, and technology agents, which determine the relationship between the type of story and the network where it is published.

扩展对设备的访问以及社交网络中的制作和发布选项，需要对个人数字故事的传统概念进行更广泛的定义。为了更深入地了解青少年群体中的这些做法，本文的目的是分析指导个人故事发表的原因是什么，以及这些故事中阐明了哪些过滤器，代理和后果。为此，综合了有关青少年互联网发布指南的调查中最定性的部分。具体而言，显示了对12至20岁之间的12名青少年进行的半结构式访谈的结果。答案表明，受访者对数字故事的看法超出了格式范围，并且取决于数字故事的发布网络和内容类型。因此，出版物的重点和动机已经从数字化（已与正常而非差异性结合）转变为个人化，使出版物着重于年轻人的日常生活。已经确定了对公私二分法的扩展和完善，在发布出版物的上方保持了一般隐私准则。至于过滤器，在出版物之前广泛使用图像修改工具。最后，答案显示了个人代理（主要是朋友和兄弟）以及技术代理的影响力，