Abstract:The last quarter of the eighteenth century found the Republic of Venice confined to the Adriatic and Ionian Seas, a development which brought closer the Italian, Greek, and Slavic cultural elements that made up Venetian society. An illustrative example of this intercultural dialogue is the Church of the Dormition of the Virgin in Višnjeva, Montenegro. According to an archival document, which is presented here for the first time, the church was built and decorated by artists and artisans of Heptanesian-Greek and Slavic origin. Through this case study, this article examines the broader issue of cross-cultural exchanges in the Adriatic and Ionian Seas, assesses the reception of Heptanesian icon painting in the Adriatic, and illuminates the factors behind the creation of a common aesthetics in the Ionian-Adriatic region.

中文翻译：

---

威尼斯共和国暮色中的跨文化邂逅：黑山维什涅瓦圣母安息教堂

摘要：十八世纪最后四分之一发现威尼斯共和国局限于亚得里亚海和爱奥尼亚海，这一发展使构成威尼斯社会的意大利、希腊和斯拉夫文化元素更加接近。这种跨文化对话的一个例证是位于黑山 Višnjeva 的圣母安息教堂。根据首次在此展示的档案文件，这座教堂是由来自 Heptanesian-希腊和斯拉夫血统的艺术家和工匠建造和装饰的。通过这个案例研究，本文探讨了亚得里亚海和爱奥尼亚海跨文化交流的更广泛问题，评估了亚得里亚海对庚烷圣像绘画的接受，并阐明了爱奥尼亚-亚得里亚海创造共同美学背后的因素。地区。