The article suggests that the perceived ethics of curatorial practice are not often in balance with operative ethics, and analyses the problem by focusing on the curator-artist relationship. Contemporary art curators constantly find themselves in a situation where they have to choose between the needs of the few and the many. Counter-hegemony theory is used to examine the curator’s duty toward the many, while the reading of Jacque Derrida’s concept of responsibility toward an individual and Alain Badiou’s ‘singularity of situations’ suggest that the few are to be considered first. In this article, I suggests that curators could learn to say no in order to be able to balance these different demands.

中文翻译：

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学习说不，艺术家与策展人关系的伦理

文章认为，策展实践的感知伦理常常不会与操作伦理保持平衡，并通过关注策展人与艺术家的关系来分析问题。当代艺术策展人不断发现自己处于必须在少数人和许多人的需求之间进行选择的情况。反霸权理论被用来检验策展人对多数人的责任，而对雅克·德里达（Jacque Derrida）对个人的责任概念和阿兰·巴迪欧（Alain Badiou）的“情况奇异性”的解读表明，少数人应该首先考虑。在本文中，我建议策展人可以学会说不，以便能够平衡这些不同的需求。