Abstract:This article explores Aeschylus’ thematic use of metoikia in the Oresteia. Appearing in each of the three plays of the trilogy, the compound metoikos brings the sense of movement and one of shared experience—both indicated by the prefix meta—together with the word for house (oikos), and Aeschylus’ strategic use of metoikia over the course the trilogy reveals the complicated relationship between mobility and domesticity that is fundamental to the mid-fifth-century Athenian experience both at home and in the city. The Agamemnon explores the range of domestic issues embodied by the physical house on stage while the following two plays interrogate the different ways we relate to home—living with family within it as well as leaving and returning to it as strangers.

中文翻译：

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“这些Metoikoi”：在埃斯库罗斯的《俄瑞斯忒亚》中与他人生活，作为他人生活

摘要：本文探讨埃斯库罗斯 (Aeschylus) 在俄瑞斯忒亚 (Oresteia) 中对 metoikia 的主题使用。出现在三部曲的三部剧中的每一部中，复合 metoikos 带来了运动感和一种共享体验——两者都由前缀 meta 表示——连同房子这个词（oikos），以及埃斯库罗斯对 metoikia 的战略使用三部曲课程揭示了流动性和家庭生活之间的复杂关系，这是 5 世纪中叶雅典人在家庭和城市中的体验的基础。《阿伽门农》探索了舞台上实体房屋所体现的一系列家庭问题，而以下两部剧则探讨了我们与家的不同方式——与家人一起生活，以及作为陌生人离开和返回。