arguments and insights developed by the contributors and skillfully curated by Bank and Kobialka. I anticipate that many young scholars working their way through the essays will find themselves challenged, impressed, and inspired. Just as Interpreting the Theatrical Past entered the graduate studies canon, Theatre/ Performance Historiography’s carefully cultivated essays should prove to be required reading on theatre historiography syllabi going forward.

中文翻译：

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集体创作史和当代表演中的集体创作编辑。作者：Kathryn Mederos Syssoyeva 和 Scott Proudfit

由撰稿人提出并由班克和科比亚尔卡巧妙策划的论点和见解。我预计许多通过论文工作的年轻学者会发现自己受到挑战、印象深刻和受到启发。正如《解读戏剧历史》进入研究生学习正典一样，戏剧/表演史学精心编写的论文应该被证明是未来戏剧史学教学大纲的必读读物。