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Lev Shestov and the ‘Paris Note’
Studies in East European Thought ( IF 0.250 ) Pub Date : 2020-06-17 , DOI: 10.1007/s11212-020-09364-4
O. A. Korostelev

The article seeks to explore the mindset of young émigré poets of the 1920s–1930s, to identify possible ideological influences on the literature and literary criticism of the first wave of Russian emigration and to determine the spiritual origins of the ‘Paris Note.’ Among many other influences on the young émigré poetry (Henri Bergson, Nikolai Berdyaev, Vasily Rozanov, Nikolai Fedorov and others) the influence of Lev Shestov’s philosophy is particularly evident. However, it manifested itself not directly but indirectly, mainly through the Parisian critic Georgy Adamovich, who, unlike young poets, read Shestov carefully and appreciated him very highly. The philosophy of Adamovich’s poetry, which brought to life the phenomenon of the ‘Paris Note,’ had many parallels with Shestov’s thoughts. Hence the unexpected concordance between the central issues and artistic practice of the participants of the ‘Paris Note’ and Existentialism emerging in the 1930s in the literature of France.

中文翻译:

列夫·舍斯托夫和《巴黎笔记》

本文旨在探讨 1920 年代至 1930 年代年轻移民诗人的心态,确定对第一波俄罗斯移民的文学和文学批评可能产生的意识形态影响,并确定“巴黎笔记”的精神起源。在对年轻流亡者诗歌(亨利·柏格森、尼古拉·别尔佳耶夫、瓦西里·罗扎诺夫、尼古拉·费多罗夫等)的许多其他影响中,列夫·舍斯托夫哲学的影响尤为明显。然而,它不是直接而是间接地表现出来,主要是通过巴黎评论家格奥尔基·阿达莫维奇(Georgy Adamovich)来表现的,他不像年轻的诗人那样仔细阅读舍斯托夫,并高度赞赏他。阿达莫维奇的诗歌哲学使“巴黎笔记”的现象栩栩如生,与舍斯托夫的思想有许多相似之处。
更新日期:2020-06-17
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