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Rhythm and Existence
Research in Phenomenology Pub Date : 2018-09-27 , DOI: 10.1163/15691640-12341399 Marcia Sá Cavalcante Schuback 1
Research in Phenomenology Pub Date : 2018-09-27 , DOI: 10.1163/15691640-12341399 Marcia Sá Cavalcante Schuback 1
Affiliation
The present article proposes a reflection on the relation between music and language setting out from the experience of listening to words and listening to music. It relies to a certain extent upon an existential-phenomenological approach and develops the distinction between the sounding of sounds (sounding words) and the sound of sounding (musical sounds). From this distinction, a redefinition of rhythm is suggested based on the experience of listening and on the close listening to some pieces of music.
中文翻译:
节奏与存在
本文从听词和听音乐的体验出发,对音乐与语言的关系进行反思。它在一定程度上依赖于存在主义现象学的方法,并发展了发声(发声词)和发声(音乐声)之间的区别。根据这种区别,建议根据聆听体验和近距离聆听某些音乐的经验重新定义节奏。
更新日期:2018-09-27
中文翻译:
节奏与存在
本文从听词和听音乐的体验出发,对音乐与语言的关系进行反思。它在一定程度上依赖于存在主义现象学的方法,并发展了发声(发声词)和发声(音乐声)之间的区别。根据这种区别,建议根据聆听体验和近距离聆听某些音乐的经验重新定义节奏。