Apart from a spectacular site in many fiction films, the Louvre museum has been the subject of some remarkable art documentaries. This article focuses on four films, made between the late 1930s and early 1950s, which deal with the famous Paris museum or parts of its collection: Rubens et son temps (Jacques Jaujard and Rene Huyghe, 1938), Les Femmes du Louvre (Pierre Kast, 1951), Images de l'ancienne Egypte (Maurice Cloche, 1951), and Les Pierres vives (Fernand Marzelle, 1951). Fallen into oblivion and overlooked by both art-historical and film-historical scholarship, these intriguing short films cannot be disconnected from the changes that museums in general and the Louvre in particular underwent in that era. In addition, this article situates these films in the context of a 'Golden Age' of lyrical art documentaries, their production made possible by new international organizations such as ICOM and FIFA, in which the Louvre played an important part.

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动态影像博物馆：卢浮宫上的 20 世纪中叶艺术纪录片

除了许多小说电影中的壮观景点外，卢浮宫博物馆还成为一些非凡艺术纪录片的主题。本文重点介绍 1930 年代末至 1950 年代初制作的四部电影，它们涉及著名的巴黎博物馆或其部分藏品：《鲁本斯与儿子的时代》（Jacques Jaujard 和 Rene Huyghe，1938 年）、《卢浮宫的女人》（皮埃尔·卡斯特） , 1951)、Images de l'ancienne Egypte (Maurice Cloche, 1951) 和 Les Pierres vives (Fernand Marzelle, 1951)。这些引人入胜的短片被艺术史和电影史学界遗忘和忽视，与整个博物馆特别是卢浮宫在那个时代所经历的变化密不可分。此外，本文将这些电影置于抒情艺术纪录片的“黄金时代”的背景下，