This article concerns the temporal experience of acousmatic music, how the music can impact a listener’s sense of time passing and the implications of memory and expectations of auditory events and their perceived connections to one another. It will outline how memory and schemas lead to predictions in the immediate future and larger expectations of a work’s form. An overview of the temporal listening framework for acousmatic music will be provided to show the interrelationship between memory and expectations and how they influence one’s listening focus in the present. Trevor Wishart’s Imago will be used to illustrate how one might compose an acousmatic work to promote active listening using compositional techniques that engage personal schemas and those built through the course of experiencing the piece.

中文翻译：

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原声音乐的记忆、期望和时间流

本文关注原声音乐的时间体验，音乐如何影响听众的时间流逝感，以及记忆的含义和对听觉事件的期望以及它们之间的感知联系。它将概述记忆和模式如何导致对近期的预测和对作品形式的更大期望。将提供原声音乐的时间聆听框架的概述，以展示记忆和期望之间的相互关系以及它们如何影响当前的聆听焦点。特雷弗·威沙特意象将用于说明如何使用结合个人模式和通过体验作品过程构建的作曲技术来创作声学作品以促进积极聆听。