This article discusses technical and aesthetic aspects of sound synthesis in the context of anacoustic modes of sound construction – a neologism that underscores the unique ontology of information in the digital domain. Anacoustic modes address the computer at its most fundamental level: the syntactic level of information. This changes the nature of signification as sound is considered first as an informational construct rather than a material circumstance, rupturing the front-loaded meaning that arises from our acoustic experience. Following certain concepts encompassed by N. Katherine Hayles’s posthumanism, anacoustic modes can be viewed as an expression of the materiality of information.

中文翻译：

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声音建构的声学模式和虚拟的符号学

本文讨论了声音合成的技术和美学方面声学声音建构模式——一种强调数字领域信息独特本体论的新词。声学模式在其最基本的层次上处理计算机：信息的句法层次。这改变了意义的本质，因为声音首先被认为是一种信息结构，而不是一种物质环境，破坏了我们的声学体验所产生的前置意义。遵循 N. Katherine Hayles 所包含的某些概念后人文主义，声学模式可以被视为信息的物质性的表达。