Music history is full of examples of composers drawing upon traditional repertoires for their works. Starting from the late nineteenth century in particular, many of them have looked at this specific sound material for several reasons: overcoming the limitations of tonal system, discovering different compositional strategies, finding new inspiration and aesthetics, evoking exoticism. Electronic music is no exception. Since the emergence of sound recording, sonic artists and electronic music composers have experimented with new technologies trying to integrate traditional elements in their works with different results and various purposes. In the present time, the preservation of these traditional elements could represent one of the most crucial goals. In a world characterised by a widespread globalisation, traditional music might be at risk of being neglected or even forgotten, as for local identities and cultures in general. As electronic music composers and sonic artists we should ask ourselves if it is possible to create a link between tradition and innovation, connecting these two apparently opposite realities. Can we safeguard at-risk traditions and at the same time re-present them through contemporary artistic practices and technologies? Is there a way to develop a form of expression that could reach a wide and diverse range of listeners, taking into account recent trends and studies in electronic music while preserving the main distinctive features of the traditional repertoires? The article attempts to answer the above-mentioned questions with the support of a case study: the personal research conducted into the use of traditional music from the southern Italian region of Campania in the scope of electronic music composition.

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回收与保存传统音乐：美学、伦理与技术

音乐史上充满了作曲家利用传统曲目创作作品的例子。特别是从 19 世纪后期开始，他们中的许多人出于以下几个原因关注这种特定的声音材料：克服音调系统的限制，发现不同的作曲策略，寻找新的灵感和美学，唤起异国情调。电子音乐也不例外。自录音出现以来，声波艺术家和电子音乐作曲家一直在尝试新技术，试图将传统元素融入他们的作品中，以达到不同的效果和不同的目的。目前，保存这些传统元素可能是最重要的目标之一。在一个以广泛全球化为特征的世界里，就当地身份和文化而言，传统音乐可能会被忽视甚至遗忘。作为电子音乐作曲家和声音艺术家，我们应该问自己是否有可能在传统和创新之间建立联系，将这两个明显相反的现实联系起来。我们能否保护处于危险之中的传统，同时通过当代艺术实践和技术重新呈现它们？考虑到电子音乐的最新趋势和研究，同时保留传统曲目的主要特色，有没有办法开发一种可以覆盖广泛和多样化听众的表达形式？本文试图在案例研究的支持下回答上述问题：