Charles Cros (1842–1888) is known primarily for his poems, "Le Hareng saur" most especially, and is often cited for his scientific work on mechanical sound recording and color photography, among manifold other ventures. He also wrote short fiction, some of which, as this article proposes, contains nuanced critiques of the trajectory new media technologies might follow in the nineteenth century and beyond. Taken together, "Un drame interastral" (1872) and "Le Journal de l'avenir" (1880) evoke attitudes of both wonder and deep skepticism, in both utopian and dystopian settings, about the future uses of audiovisual technologies, namely the phonograph, the telephone, and the photophone. This article demonstrates how the two texts envision potentially dangerous entanglements between political centralization and these new media technologies.

中文翻译：

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古生物学的未来：查尔斯·克罗斯的视听世界

查尔斯·克罗斯（Charles Cros，1842-1888年）主要以他的诗作《 Le Hareng saur》而著称，尤其因其在机械录音和彩色摄影方面的科学研究而广受赞誉。他还写了短篇小说，其中一些内容，正如本文所建议的那样，包含了对十九世纪及以后新媒体技术发展轨迹的细微批评。综上所述，“乌拉尔·伊斯特拉尔（Un drame interastral）”（1872年）和“勒·德·拉韦纳报”（Le Journal de l'avenir）（1880年）在乌托邦和反乌托邦环境中唤起了对视听技术（即留声机）未来用途的好奇和深深怀疑。 ，电话和照相电话。