Abstract This paper, which evaluates the theoretical underpinnings of tragicomedy, examines the ideas on literary decorum that formed the basis for the traditional definitions of the different dramatic genres. Within this context, an argument is made that the emergence of the ‘third genre’ was associated with changing views on the adaptation of theater to bring it into line with the concept of literary decorum. It is suggested that this concept gradually ceased to shape the sorts of characters associated with different genres and eventually came to determine only the style that was used, depending on the dramatic situation and social standing of the characters.

中文翻译：

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悲喜剧和文学装饰：西班牙戏剧起源中的“第三戏剧体裁”的理论基础

摘要本文对悲喜剧的理论基础进行了评估，考察了文学礼仪上的观念，这些观念为不同戏剧类型的传统定义奠定了基础。在这种情况下，有人认为“第三流派”的出现与对戏剧改编的观点的改变有关，以使其与文学礼仪的观念保持一致。建议这个概念逐渐停止塑造与不同流派相关的角色种类，最终根据角色的戏剧性情况和社会地位最终确定所使用的风格。