Since its 1975 release, One Flew Over the Cuckoo's Nest (dir. Milos Forman) has maintained an intertextual relationship with the psychiatric discipline, serving as an icon of anti-authoritarianism and a barometer of the state of the field. The film's popularity in the 1970s drew on a context of youth protest on one hand and anti-psychiatry mobilization on the other, both of which it also spurred. Yet how might One Flew read in a different historical moment? Here, in dialogue with my students' reactions and analysis, I argue that the aftermath of dehospitalization and contemporary gender and racial politics have rendered One Flew a more ambivalent cultural artifact. Changing responses to the film in turn reflect the ways in which we draw on the discipline's past in confronting our psychiatric present.

中文翻译：

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记忆政治：精神病学批判、文化抗议和飞越布谷鸟巢

自 1975 年上映以来，飞越布谷鸟巢（导演：米洛斯福尔曼）一直与精神病学学科保持互文关系，成为反独裁主义的标志和该领域状况的晴雨表。这部电影在 1970 年代的流行一方面是基于青年抗议的背景，另一方面是反精神病学动员的背景，它也刺激了这两种情况。然而，在不同的历史时刻，一只苍蝇会如何解读？在这里，在与我的学生的反应和分析的对话中，我认为，住院治疗的后果以及当代性别和种族政治已经使 One Flew 成为一种更加矛盾的文化产物。对这部电影的不同反应反过来反映了我们在面对我们的精神病现在时利用该学科的过去的方式。