In “A Cyborg Manifesto,” Donna Haraway explores implications of the increasing hybridization of humans and machines. While society has long been concerned with the encroachment of technology onto human activity, Haraway challenges this concern, suggesting instead a kinship between organism and machine, a hybrid body. A sonic-cyborg performance realizes this understanding of the human-machine hybrid through movement and sound, incorporating a “kinesonic” approach to composition and an exploration of “mechatronic” expression. In this article, the authors describe their approach to enacting sonic-cyborg performance by outlining the creative framework and associated technologies involved in two collaborative pieces that explore questions of fluidity between organism and machine: Teka-Mori and Why Should Our Bodies End at the Skin?

中文翻译：

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通过 Teka-Mori 中的混合体实现 Sonic-Cyborg 性能以及为什么我们的身体应该在皮肤上结束？

在“机器人宣言”中，Donna Haraway 探讨了人类和机器日益混合的影响。虽然社会长期以来一直关注技术对人类活动的侵占，但哈拉维挑战了这一担忧，提出有机体和机器之间的血缘关系，即混合体。声波机器人表演通过运动和声音实现了对人机混合体的这种理解，结合了“运动学”的构图方法和对“机电一体化”表达的探索。在这篇文章中，作者通过概述探索有机体和机器之间流动性问题的两个合作作品中涉及的创意框架和相关技术，描述了他们制作 sonic-cyborg 表演的方法：Teka-Mori 和为什么我们的身体应该在皮肤上结束?