How do creative sound practices function in the context of socially engaged art? Toward developing a practical methodology, this paper focuses on sound-led projects that stage socially engaged art practice in community settings, including some involving the author. Aesthetics, ethics and politics are employed as interrogative lenses for distributed creative processes. Methods for collaborative art-making that facilitate a balance between these lenses are discussed, with the author further arguing the necessity of artistic “disruption.” Such sociosonic interventions are demonstrated to occur most effectively when sound practices challenge the paradigm of unidirectional audial reproduction: rupturing traditional hierarchies of creator and listener.

中文翻译：

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社会声波干预：社会参与良好实践中的分布式作者身份

在社会参与艺术的背景下，创造性的声音实践如何发挥作用？为了开发一种实用的方法论，本文重点关注声音主导的项目，这些项目在社区环境中进行社会参与的艺术实践，包括一些涉及作者的项目。美学、伦理和政治被用作分布式创作过程的质疑镜头。讨论了促进这些镜头之间平衡的协作艺术创作方法，作者进一步论证了艺术“破坏”的必要性。当声音实践挑战单向听觉再现范式时，这种社会声学干预被证明最有效：打破创作者和听众的传统等级。