当前位置: X-MOL 学术Journal of the Society for American Music › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
Music Festivals, Ephemeral Places, and Scenes: Interdependence at Cornerstone Festival
Journal of the Society for American Music Pub Date : 2020-01-15 , DOI: 10.1017/s1752196319000543
ANDREW MALL

Cornerstone was an annual four-day-long Christian rock festival in Illinois that ran from 1984 until 2012, first in Chicago's northern suburbs and then on a former farm in the rural western part of the state. Most attendees camped on-site, and many arrived one or two days early when the campgrounds opened before official programming started. Like many contemporary multi-day festivals in relatively rural or remote locations, Cornerstone's festival grounds and campsites functioned as a temporary village. For many attendees, music festivals have supplanted local scenes as loci of face-to-face musical life. Outside Cornerstone, participants’ musical lives might be curbed by family, professional obligations, geographic separateness, or cultural stratification. Inside the festival's physical, social, and cultural spaces, however, a cohesive music scene manifested for a brief time every year. This article examines the production of space and place at Cornerstone. In doing so, it contributes a vital link between scene theory and the growing ethnomusicological literature on festivals.

中文翻译:

音乐节、短暂的地方和场景:基石节的相互依存

Cornerstone 是伊利诺伊州一年一度的为期四天的基督教摇滚音乐节,从 1984 年到 2012 年,首先在芝加哥北部郊区,然后在该州西部农村的一个前农场举行。大多数与会者在现场扎营,许多人在正式节目开始之前露营地开放时提前一两天到达。像许多在相对农村或偏远地区举行的当代多日节日一样,Cornerstone 的节日场地和露营地起到了临时村庄的作用。对于许多与会者来说,音乐节已经取代了当地场景,成为面对面音乐生活的场所。在 Cornerstone 之外,参与者的音乐生活可能会受到家庭、职业义务、地理分离或文化分层的限制。然而,在音乐节的物理、社会和文化空间内,每年都会出现一个短暂的有凝聚力的音乐场景。本文研究了Cornerstone的空间和场所的生产。在这样做的过程中,它在场景理论和日益增长的关于节日的民族音乐学文献之间建立了重要的联系。
更新日期:2020-01-15
down
wechat
bug