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Defining Italianness: Poetry, Music and the Construction of National Identity in Nineteenth- and Twentieth-Century Accounts of the Medieval Italian Lyric Tradition
Journal of the Royal Musical Association Pub Date : 2017-09-27 , DOI: 10.1080/02690403.2017.1361173
Lauren Jennings

This article explores the role of music in nineteenth- and twentieth-century accounts of medieval Italian literature and its relation to the construction of Italian national identity both during and long after the Risorgimento. Tracing music's role in the writings of Giosuè Carducci, Vincenzo De Bartholomaeis and Aurelio Roncaglia, it argues that music somewhat paradoxically became entangled with Italy's literary identity even as scholars worked to extricate the peninsula's most renowned poetry from its grasp. In the realm of ‘popular’ poetry, Italianness depends on the presence of music, which serves as a marker of that poetry's popular origins. In contrast, music's absence from the realm of ‘high-art’ poetry was essential to the construction of an Italian tradition independent of and superior to its French and Provençal predecessors.

中文翻译:

定义意大利性:十九世纪和二十世纪中世纪意大利抒情传统的诗歌、音乐和民族认同的构建

本文探讨了音乐在 19 世纪和 20 世纪对中世纪意大利文学的描述中的作用,以及它与复兴运动期间和之后很久的意大利民族认同构建的关系。追溯音乐在 Giosuè Carducci、Vincenzo De Bartholomaeis 和 Aurelio Roncaglia 的著作中的作用,它认为音乐在某种程度上与意大利的文学身份纠缠在一起,尽管学者们努力将半岛最著名的诗歌从其掌握中解脱出来。在“流行”诗歌领域,意大利性取决于音乐的存在,而音乐是该诗歌流行起源的标志。相比之下,音乐'
更新日期:2017-09-27
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