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‘I wish for my life's roses to have fewer thorns’: Heinrich Neuhaus and Alternative Narratives of Selfhood in Soviet Russia
Journal of the Royal Musical Association Pub Date : 2019-10-01 , DOI: 10.1080/02690403.2019.1651498 Maria Razumovskaya
Journal of the Royal Musical Association Pub Date : 2019-10-01 , DOI: 10.1080/02690403.2019.1651498 Maria Razumovskaya
Heinrich Gustavovich Neuhaus (1888–1964) was one of the Soviet era's most iconic musicians. Settling in Russia reluctantly, he was dismayed by the policies of the Soviet state and unable to engage with contemporary narratives of selfhood in the wake of the Revolution. In creating a new aesthetic field that defined him as Russian rather than Soviet, Neuhaus embodied an ambiguous territory whereby his views both resonated with and challenged aspects of Soviet-era culture. This article traces how Neuhaus adopted the idea of self-reflective or ‘autobiographical’ art through an interdisciplinary melding of ideas from Boris Pasternak, Alexander Blok and Mikhail Vrubel. In exposing the resulting tension between his understanding of Russian and Soviet selfhood, it nuances our understanding of the cultural identities within this era. Finally, discussing this tension in relation to Neuhaus's contextualization of the artistic persona of Shostakovich, it contributes to a long-needed reappraisal of his relationship with the composer.
中文翻译:
“我希望我生命中的玫瑰少一些刺”:海因里希·纽豪斯和苏维埃俄罗斯的另类自我叙事
海因里希·古斯塔沃维奇·纽豪斯(Heinrich Gustavovich Neuhaus,1888-1964)是苏联时代最具标志性的音乐家之一。不情愿地定居在俄罗斯,他对苏联国家的政策感到沮丧,并且无法参与革命后当代关于自我的叙述。在创造一个将他定义为俄罗斯人而非苏联人的新美学领域时,诺伊豪斯体现了一个模棱两可的领域,他的观点既与苏联时代文化的各个方面产生了共鸣,也对其提出了挑战。本文追溯了 Neuhaus 如何通过融合 Boris Pasternak、Alexander Blok 和 Mikhail Vrubel 的跨学科思想来采用自我反思或“自传”艺术的理念。在揭露他对俄罗斯和苏联自我的理解之间由此产生的紧张关系时,它微妙地改变了我们对这个时代文化身份的理解。最后,
更新日期:2019-10-01
中文翻译:
“我希望我生命中的玫瑰少一些刺”:海因里希·纽豪斯和苏维埃俄罗斯的另类自我叙事
海因里希·古斯塔沃维奇·纽豪斯(Heinrich Gustavovich Neuhaus,1888-1964)是苏联时代最具标志性的音乐家之一。不情愿地定居在俄罗斯,他对苏联国家的政策感到沮丧,并且无法参与革命后当代关于自我的叙述。在创造一个将他定义为俄罗斯人而非苏联人的新美学领域时,诺伊豪斯体现了一个模棱两可的领域,他的观点既与苏联时代文化的各个方面产生了共鸣,也对其提出了挑战。本文追溯了 Neuhaus 如何通过融合 Boris Pasternak、Alexander Blok 和 Mikhail Vrubel 的跨学科思想来采用自我反思或“自传”艺术的理念。在揭露他对俄罗斯和苏联自我的理解之间由此产生的紧张关系时,它微妙地改变了我们对这个时代文化身份的理解。最后,