The aim of this study is to look afresh at the scriptural sources underlying the Song of Tobit in Tobit 13 and to suggest a scriptural model for the authorial/editorial shaping of this Song in terms of the Kingship of YHWH Psalms in the Psalter. The study proceeds with an investigation of the group of psalms commonly designated Kingship of YHWH Psalms, with particular emphasis on the collection of these psalms in Book IV of the Psalter (Pss. 93, 95–99). This is followed by an overview of the complex textual situation and structure of the Song of Tobit (Tob. 13.1–18). Finally, a comparison of the features of Tobit 13 and those of the Kingship of YHWH Psalms is made. The study concludes with the suggestion that Tobit 13, in the earliest form known to us, has been modelled on what appears to be a generic modulation of the Kingship of YHWH Psalms found in the collection of Psalms 93, 95–99. It is suggested that in Tobit 13 the admonitory and eschatological elements found in germinal form in the Kingship of YHWH collection have been creatively extended and developed in a manner suggestive of a synagogue, rather than Temple locus for the song.

中文翻译：

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Tobit歌曲的圣经模型（Tobit 13.1–18）

这项研究的目的是重新审视Tobit 13中的《 Tobit之歌》背后的经文渊源，并根据《诗篇》中“ YHWH诗篇”的王权，为这首歌的创作/编辑塑造一个经文模型。这项研究着眼于通常被称为YHWH诗篇之王的一组诗篇的研究，尤其着重于《诗篇》第四卷中这些诗篇的收集（诗篇93、95-99）。接下来是《托比之歌》（Tob。13.1–18）的复杂文本情况和结构的概述。最后，对Tobit 13和YHWH诗篇王权的特征进行了比较。该研究的结论是，我们知道最早的Tobit 13，我们仿照似乎是对诗篇93、95-99中发现的YHWH诗篇王权的一般调制。建议在Tobit 13中以创造性的方式扩展和发展YHWH国王收藏中以发芽形式发现的警告和末世元素，以暗示会堂而不是歌曲的殿堂所在地。